About Alexandra

This season Alexandra covered the role of “Lel”, and played the role of “Tsar’s Page” in English Touring Opera’s production of The Snowmaiden by Rimsky-Korsakov, stepping in as “Lel” for a performance at the Exeter Northcott Theatre. She also reprised her cover of “Berthe” in Judith Weir’s Blond Eckbert, which she had previously covered last June in an English Touring Opera/Britten Pears Arts co-production at Aldeburgh Festival.

In 2023 she played the leading role in La Cenerentola with Longhope Opera, “Dinah” in Bernstein’s Trouble in Tahiti at Grimeborn Festival (Offie Award winner for best opera production), and “Hänsel” in Hänsel und Gretel with HGO.

As a 2022/23 Britten Pears Young Artist, Alexandra participated in masterclasses with teachers including Antonio Pappano, Julia Faulkner, Gweneth Ann Rand, Ann Murray and Roderick Williams, and performed in a recital series at Aldeburgh Festival with pianist Hebba Benyaghla.

In December 2023 she returned as an Britten-Pears alumnus to sing the alto solo in Händel’s Messiah at Snape-Maltings Concert Hall, and in April 2025 she returned to sing the alto solo in a selection of cantatas by Bach.

Alexandra has also performed at Theater Basel in Switzerland as “Der Trommler” in Viktor Ullmann’s Der Kaiser von Atlantis, and as “Anneli” in the first production of Dai Fujikura’s Der Goldkäfer, commissioned by Theater Basel.

Alexandra is a graduate of the Opera Course of The Guildhall School of Music and Drama, where her roles included “Sister Helen Prejean” in Jake Heggie’s Dead Man Walking, “Berthe” in Judith Weir’s Blond Eckbert, and “Jean de Moncerf” in Massenet’s Le portrait de Manon.